Battle Hymn of the Republic

The song first gained popularity around Charleston, South Carolina, where it was sung as a Methodist Camp Meeting song, particularly in churches belonging to free Blacks. By contrast, it was also used early on as a marching song on army posts.

The song gathered new verses following the insurrection at Harper's Ferry, led by John Brown and carried out by a cadre of nineteen men on October 16, 1859. Brown's actions, trial and subsequent execution made him a martyr to Abolitionists and African-Americans and prompted some people to add the following lines to Steffe's by then popular song.

John Brown's body lies a-mouldering in the grave,
John Brown's body lies a-mouldering in the grave,
John Brown's body lies a-mouldering in the grave,
His soul is marching on!

Julia Ward Howe, Photographer unknown.
c1908 Apr. 27.

Some have also theorized that the new verses were written about an inept Army sergeant named John Brown, thus giving the lyrics a kind of humorous double entendre.

By the time of the Civil War "John Brown's Body" had become a very popular marching song with Union Army regiments, particularly among the Colored troops. The Twelfth Massachusetts Regiment, in particular, has been credited with spreading the song's fame on their march to the South, where Confederate soldiers then inverted the meaning of their words and sang, "John Brown's a-hanging on a sour apple tree." The war's rivalry continued to be carried on in music as the northerners then sang in turn, "They will hang Jeff Davis to a sour apple tree."

But it was when Julia Ward Howe visited Washington, DC in 1861 that the tune properly came to be called "The Battle Hymn of the Republic." Howe and her husband, both of whom were active abolitionists, experienced first-hand a skirmish between Confederate and Union troops in nearby Virginia, and heard the troops go into battle singing "John Brown's Body." That evening, November 18, 1861, Ward was inspired to write a poem that better fit the music. It began "Mine eyes have seen the glory of the coming of the Lord." Her poem, which was published in the Atlantic Monthly in February 1862 soon became the song known as "The Battle Hymn of the Republic."